Proto-mahjong › Chinese classical › Shanghai / Hong Kong new style
Shanghai / Hong Kong new style
1920s
Sources
The documents this entry rests on, as published. Each can be opened and checked; nothing in this part is anybody’s reading of them.
Sloper, Tom. "FAQ 2b: Identifying a Mah-Jongg Variant." Sloperama. cross-check checked 2026-09-18
https://www.sloperama.com/mjfaq/mjfaq02b.html
chart’s note Tile counts, hand sizes, flower handling and scoring for roughly 50 named variants. Primary source for most leaf nodes in this chart.
Also cited on: Chinese archaic, Late Qing style, Chinese pre-classical, Chinese classical, Hong Kong old style, Modern HKOS and 44 more · bibliography #1
Mahjong Wiki. "Chinese Classical Overview." mahjong.wikidot.com. cross-check checked 2026-09-25
http://mahjong.wikidot.com/rules:chinese-classical-overview
chart’s note Cited as the source for individual nodes in the chart's node table. Carries no bibliography or per-claim citations of its own; see the appendix on tracing the wiki.
Also cited on: Chinese classical · bibliography #39
Babcock, Joseph Park. "The Chinese Game 麻雀." Chapter VIII of Babcock's Rules for Mah-Jongg: The Red Book of Rules, second edition, Shanghai and San Francisco, 1923, pp. 63-82; transcribed on Wikisource. cross-check checked 2026-09-25
https://en.wikisource.org/wiki/Babcock%27s_Rules_for_Mah-Jongg/Chapter_8
AI summary Babcock's account of how the Chinese game differed from his own Mah-Jongg: four rounds with seats drawn by wind discs, the round wind doubling, a 14-tile dead wall, 2 points for a pair, edge or middle wait, one-suit doubling for the winner only, limit hands, the Chinese insurance penalties, a 300-point limit, and the 'New Method' in which the discarder pays double and East no longer pays or receives double.
Also cited on: Chinese classical · bibliography #124
Tchou Kia-kien [Zhu Jiajian]. Le mah-jong tel qu'il est joué par les Chinois. Paris: Les Éditions du Monde Moderne, 1924. Text edition by Pierre Palpant, Bibliothèque Chine ancienne, 2012. cross-check checked 2026-09-25
https://www.chineancienne.fr/d%C3%A9but-20e-s/tchou-kia-kien-le-mah-jong/
AI summary A Chinese author's full rulebook for the game 'as the Chinese play it': 136 tiles, flowers optional and disliked by 'true amateurs', walls of 17 stacks, points then fan doublings, settlement among the losers, the 'old mode' with East paying and receiving double, and the 'new mode', which 'all Chinese players have adopted', in which the discarder pays double.
Also cited on: Chinese classical · bibliography #125
上海遊藝社 (Shanghai Youyi She), ed. 《繪圖麻雀牌譜》 [Illustrated Manual of Mahjong]. Shanghai: 上海遊藝社, 1924 (民國13年), 60 pp. National Library of China scan, on Wikimedia Commons. cross-check checked 2026-09-25
AI summary The 1924 Shanghai edition of the first Chinese mahjong manual (Shen Yifan's, 1914): 136 tiles with no flowers, 17-stack walls, 副 (points) and 倍 (doublings), 10 副 for going out, ten 賀例 special hands including 國士無雙 and 九連寶燈, the 滿門 limit of about 300 副, liability rules, a 14-tile 王張 dead wall, and a note on the 'recent new method' of double payment for a self-drawn win. Read from the page images of the scan.
Also cited on: Chinese classical · bibliography #126
Wikipedia. "Hong Kong Mahjong Scoring Rules." cross-check checked 2026-09-25
https://en.wikipedia.org/wiki/Hong_Kong_mahjong_scoring_rules
chart’s note Faan scoring, the common 3-faan minimum and the 13-faan ceiling.
Also cited on: Hong Kong old style, Modern HKOS · bibliography #18
"Let's Mahjong!" ruleset, as tabulated on the Mahjong Wiki HKOS scoring page. supporting checked 2026-09-18
http://mahjong.wikidot.com/rules:hong-kong-old-style-scoring
chart’s note Cited as a second fan-list column and treated as the representative New Chapter standard. The wiki describes it as the transition from HKOS to Guangdong Style. It is a ruleset, not a scholarly source, and the wiki gives no publication details for it.
Also cited on: Hong Kong old style, Guangdong style · bibliography #28
Mahjong Wiki. "Guangdong MCR Overview." mahjong.wikidot.com. cross-check checked 2026-09-19
http://mahjong.wikidot.com/rules:gmcr-overview
chart’s note Cited as the source for individual nodes in the chart's node table. Carries no bibliography or per-claim citations of its own; see the appendix on tracing the wiki.
Also cited on: Guangdong MCR / GMCR, MCR / Chinese official · bibliography #43
Mahjong Wiki. "Hong Kong New Style Overview." mahjong.wikidot.com. canonical checked 2026-09-25
http://mahjong.wikidot.com/rules:hong-kong-new-style-overview
chart’s note Cited as the source for individual nodes in the chart's node table. Carries no bibliography or per-claim citations of its own; see the appendix on tracing the wiki.
Only cited here · bibliography #40
Mahjong Wiki. "Chinese Classical Scoring." mahjong.wikidot.com. cross-check checked 2026-09-25
http://mahjong.wikidot.com/rules:chinese-classical-scoring
AI summary Doubles and mini-point tables for 'Early Classical (1900s)', 'Late Classical (1910s)', Shanghai New Style and Hong Kong New Style, with the Classical payout in which all players pay and receive. No sources are cited for the period columns.
Also cited on: Chinese classical · bibliography #127
Tow, Julius Su (J. S. Tow). The Outline of Mah Jong: How to Play and How to Win, the Real Chinese Methods. New York: Pacific Printing Co., 1924. Scanned at the Internet Archive. cross-check checked 2026-09-25
https://archive.org/details/outlineofmahjong00towj
AI summary A Chinese author's account of the classical game (the Leader pays and receives double, the losers settle among themselves, a limit of 300 to 600), with footnotes and an appendix of regional variations: Shanghai and Ningbo single-tier walls of 21 with 13 counted out to each player, a base of 10 'quite common in Shanghai' against the usual 20, all-pung hands worth only 10 extra in Shanghai instead of a double, and a 16-tile game in Fukien.
Also cited on: Chinese classical · bibliography #129
Depaulis, Thierry and Cofa Tsui. "Evolution of Various Forms of Mahjong (1890-2001)." International Mahjong InfoWeb, archive 205d(3), 2007, updated 2008. cross-check checked 2026-09-25
https://www.imahjong.com/maiarchives205d_3.html
AI summary Feature-by-feature chart of the Chinese forms of the game from Wilkinson 1890 to Amy Lo 2001, taking the Late Qing novels as the reference gameplay. Its 1890 column is sourced to Wilkinson's 1925 memorandum.
Also cited on: Chinese archaic, Late Qing style, Chinese pre-classical, Chinese classical, Hong Kong old style · bibliography #109
Chinese Wikipedia: 香港麻將 (Hong Kong mahjong), traditional-script edition. cross-check checked 2026-09-25
https://zh.wikipedia.org/zh-tw/%E9%A6%99%E6%B8%AF%E9%BA%BB%E9%9B%80
AI summary Traces modern Hong Kong and Guangdong mahjong to the 清章 (Clear Chapter) way of play evolved out of 老章 (Old Chapter), with 新章 (New Chapter) formed by adding hands such as 六獨, 十八台 and 無奇不有; and the older Hong Kong practice of 雞四 (no minimum, four-tai limit), no flowers and the 二二制 before today's 三三制 and three-tai minimum.
Also cited on: Hong Kong old style, Modern HKOS · bibliography #131
Sloper, Tom. "FAQ 11: History of Mah-Jongg." Sloperama. supporting checked 2026-09-25
https://www.sloperama.com/mjfaq/mjfaq11f.html
chart’s note Regional branching in the 1930s and 40s; Racster 1924 on Shanghai versus Hong Kong base scores; the author's own note that the tree illustration predates later findings.
Also cited on: Proto-mahjong, Chinese classical · bibliography #3
Kwan, Alan Shiu Ho (關兆豪). 《中庸麻雀史觀》 (Zung Jung: a Perspective of Mahjong History). Online book, 2009, zj-mahjong.info. cross-check checked 2026-09-25
http://www.zj-mahjong.info/book_hk/Table%20of%20Contents.html
AI summary A history of scoring by the author of Zung Jung. Early classical rules after Hatsuhara Shigeki's 1952 reconstruction; the late classical 'inflation' of hands and base score; Hong Kong Old Style (舊章) derived directly from the late classical game by abolishing fu and adopting discarder-pays-double (出銃么二制); the 二二制 and 三三制, the 勒 multiple-limit system and the rising minimum; and New Chapter (新章) as a later re-addition of hands. Gives no dates for the Hong Kong stages.
Also cited on: Chinese classical, Hong Kong old style, Modern HKOS · bibliography #132
Mahjong Wiki. "Family Tree and Timeline." mahjong.wikidot.com. supporting
chart’s note The decade-by-decade timeline and the branch structure this chart follows, including the caveat that each variant's evolution has been cross-cultural.
Also cited on: Chinese classical, Nanyang variants, Mainland regionals, Korean traditional · bibliography #7
Analysis
Written by an AI model from the sources above. It is a reading of them, not a source in its own right: every figure in it points back to a numbered source, and where the two disagree, the source is right.
Assessment
- Confidence
- documented a published ruleset or rule description exists and is cited
- Evidence
- corroborated two or more independent sources agree on the facts that define this variant
Cross-comparison
What each source was read to say, set side by side. The numbers are the sources above.
| Source | Tiles | Hand | Flowers | Scoring | Payout |
|---|---|---|---|---|---|
| [1] | 136 or 144 | 13, out on 14 | optional; melded instantly when received | count doubles, convert to points | winner only |
| [2] | — | — | — | exponential; minimum varies | discarder pays all; self-draw paid x2 by each loser; discard paid x4 by the discarder, x0 by the others; dealer paid and paying double |
| [3] | — | — | — | — | discarder pays double; self-draw paid double by each; East not doubled; no double between losers |
| [4] | — | — | — | — | discarder pays at the higher rate, others at the lower; self-draw paid at the higher rate by all |
| [5] | — | — | — | — | self-draw paid double by each player |
| [6] | — | — | — | faan, usually a 3-faan minimum and a 13-faan limit, converted exponentially ('full spicy' or 'half spicy') | discarder pays all, or discarder pays half with the other two splitting the rest; self-pick paid by all |
- [1] Sloperama's 'Hong Kong New Style': many many special hands, vs few in Old Style
- [7] wiki treats New Chapter as the transition from HKOS toward Guangdong style
- [8] CORROBORATES THE INTERMEDIATE NODE: states that HKOS was adopted as a backlash to HKNS, which had itself evolved from Chinese Classical, and that the simplified variant born from that backlash is Qing Zhang, Clear Chapter, known in English as Hong Kong Old Style. That places a new-style stage between Chinese Classical and HKOS, which is exactly what this node is
- [9] 'New Style' means a variant with a large number of winning conditions not found in Chinese Classical, some over 100. A first wave of two styles evolved from the classical game: Shanghai New Style, 'developed from the 1920s through the 1940s', and Hong Kong New Style, 'from the 1950s through the 1970s'. HKOS was born 'as a backlash' to it. The page's timeline gives Shanghai New Style '"New Style" Patterns; Classic Scoring' (1920s) and Hong Kong New Style 'Even more "New Style" Patterns; Classic Scoring+' (early 50s). It warns that the Cantonese rulesets contemporary with HKOS, often called HKNS, are properly 'New Chapter'.
- [2] The Chinese Classical overview's rules box, which covers 'Chinese Classical, SHNS, and HKNS' with separate New Style values for the payout.
- [10] Carries 'Shanghai New Style (1920s)' and 'Hong Kong New Style (1950s)' columns beside the classical ones, and says both 'also reward wins by self-draw and punish discarders when there's a win by discard', with all players still paying and receiving.
- [3] The 'New Method', 'fast finding favor in certain Chinese communities' and 'favored by more advanced players' in 1923. Under it, a player is not liable for the insurance penalty if he holds any waiting hand.
- [4] The 'nouveau mode' of 1924, which 'all Chinese players have adopted' because 'a clumsy or careless player must pay double'.
- [5] The 1924 Shanghai manual's note on the '近時新法' (recent new method). The same manual records a 'recent Shanghai practice' (近時滬地) of counting out 13 tiles each and building the rest flat, 21 to a side.
- [11] In 1924 the Shanghai game already differed from the Cantonese: seats and the Leader decided by one throw; 'in Shanghai and Ningpo' a single-tier wall of 21 tiles with 13 counted out to each player (matching the Shanghai manual); a base of 10 'quite common in Shanghai' against the usual 20; and all-pung hands and the all-pungs double worth only 10 extra 'in Shanghai'.
- [12] Depaulis and Tsui's 'Shanghai New Style' column (1950-60; 'as in Perlmen & Chan 1979 and Lo 2001'), region Hong Kong: not points-then-doubling, no bonus for the win, concealed sets not rewarded, payoff set before play, no settlement between non-winners, dealer not doubled. Their separate '1920s New Method' column comes from Babcock 1923 and Tchou 1924.
- [6] Uses 'Hong Kong New Style' for today's standard Hong Kong game, and 'Hong Kong Old Style' for the archaic scoring, which is the opposite of the Mahjong Wiki's chronology. Its liability penalties under discarder-pays-half (九張包, 十二張包自摸, 五子包生) continue the nine-tile liability rule of the 1920s texts.
- [13] Chinese-language sequence: 老章 (Old Chapter) → 清章 (Clear Chapter, the base of Hong Kong and Guangdong mahjong) → 新章 (New Chapter, adding 六獨, 十八台, 無奇不有). Older Hong Kong play was 雞四 (no minimum, a four-tai limit), without flowers and under the 二二制, before today's 三三制 and three-tai minimum.
- [14] By 1920 'only minor rule differences existed throughout China', mainly between Shanghai and Canton in fine points of scoring and special hands; it was 'during the tumultuous period of the 1930s and 1940s' that regional variants developed. Cites Racster (1924): the Shanghai base was 20, Hong Kong's 10.
- [15] CHALLENGES THE NODE'S PLACE: Kwan derives Hong Kong Old Style 'very directly and naturally' from the late classical game, and treats New Chapter (新章), the many-hand style, as a later re-addition to HKOS. He has no pattern-heavy stage before HKOS. His late classical game does add hands (平和, 門前清自摸, 小三元, 混么九 and others) and raises the limit to 500 or 1,000, which is the 'more patterns' the Mahjong Wiki calls new style.
Reading it
Other sources now confirm this entry, not just the chart. Sloperama's Hong Kong New Style entry matches on tiles, hand and payout, and its 'many many special hands' against Old Style's 'few' is the substantive difference the branch depends on. The wiki's mainland page describes later pattern additions to the classical game as Shanghai New Style, and its GMCR page states outright that HKOS was adopted as a backlash to HKNS, which had evolved from Chinese Classical. Three sources therefore place a new-style stage between Chinese Classical and Hong Kong Old Style. The 1920s date now has contemporary support, for the payout at least. Babcock (1923), Tchou (1924) and the Shanghai manual (1924) each describe a 'new method' paying the self-drawn winner double and, in the first two, making the discarder pay double. That is the self-draw and discard payout the wiki gives New Style, in an early form: the discarder pays double, not all. Tow (1924) shows the Shanghai game already differing from the Cantonese in walls, base score and special-hand values. What no 1920s text shows is the defining feature, the large number of added winning patterns; the manuals of 1914-24 list only ten special hands. The node also bundles two stages the wiki separates, Shanghai New Style (1920s-40s) and Hong Kong New Style (1950s-70s). Depaulis and Tsui date their Shanghai New Style column 1950-60 and place it in Hong Kong. The names conflict. English Wikipedia calls today's standard Hong Kong faan game 'Hong Kong New Style'; the Mahjong Wiki reserves that name for the pre-HKOS stage and calls the modern game New Chapter; Chinese Wikipedia runs 老章, 清章, 新章. Racster puts the Shanghai base at 20 against Hong Kong's 10, while Tow calls a base of 10 'quite common in Shanghai'. Kwan's history (2009) challenges the node itself: he derives HKOS directly from the late classical game, and his only pre-HKOS growth in hands is the late classical inflation. On his reading, this node is the late classical game plus the new-method payout, not a separate pattern-heavy stage.
In the tree
Descends from Chinese classical, as the source chart draws it.
Descends into
- Hong Kong old style — 1950s, fu removed
- Mainland regionals